Her evident terror and distress reinforced the tale he told. Even the stars were strangers. For just as though a vague likeness is sometimes borne swiftly in upon one, so a vague dissimilarity between the face on the poster and the heroine of his thoughts had slowly crept into his consciousness. “It is such a very respectable boarding-house,” she said. It reminded her viscerally of her subhuman status, stripped away of the pretenses of art, intellect, and nicety. The piece, in three movements, was short enough anyway. It was John Diedermayer, who had been transformed into a young scholar with a large pair of wire-rimmed eyeglasses on.
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